Media & Entertainment: London & UK-wide

Clients appreciate this team as “a group of well-resourced and able lawyers who enjoy what they do.” It offers expertise in large-scale corporate, transmission and carriage work; it is also noted for its impressive digital media practice. Clients include the BBC trust, Arqiva, Take 2 Interactive and Sony.

KEY INDIVIDUALS Interviewees are quick to praise Steve Holmes for his responsive approach and in-depth sector knowledge. He has recently been advising Google on the regulatory issues associated with online digital media, and assisting Take 2 with the online aspects of launching 'Mafia II' and 'Red Dead Redemption'. Market sources agree that Ben Allgrove is "a very energetic go-getter who is not daunted by anything." He is building an ever-growing reputation for his work on behalf of market-leading online content providers. Ilana Saltzman's work in advertising and marketing sees her advising big-name clients such as Abercrombie & Fitch, Sharp and Porsche UK.

This team receives market acclaim as a "wonderful one-stop shop for all third sector matters." It provides advertising-related advice to regulatory bodies and charities such as the Russell Commission and Amnesty International, as well as handling theatre and film industry work, with a notable presence in the subsidised sector.

KEY INDIVIDUALS Star practitioner Rupert Earle is universally lauded as "a truly excellent lawyer; he is consistently pragmatic, sensible and clear." Clients also appreciate his decades of experience dealing with advertising regulatory bodies, assisting the ASA, CAP and BCAP in a variety of matters, including judicial reviews and changes to legislation. Market sources highlight Sean Egan for his expertise in both the commercial and funded sectors of film and theatre; he "has a great, no-nonsense approach and the rare ability to understand the not-for-profit side of the business." He has recently handled work for Bill Kenwright Ltd, the Royal Shakespeare Company, the ENO, the Young Vic and the Royal Court.

This team continues to establish itself as a go-to name for advice on the intersection between traditional and online work in the publishing and advertising sectors. Other work includes representing Barclays in its sponsorship of the London cycle hire scheme.

Client Service "It works very hard to understand and connect with our business."

KEY INDIVIDUALS Simon Harper is "incredibly easy to work with and very clear in his advice." His areas of focus include developing online licensing models and the commercial exploitation of digital content. Clients include the Newspaper Licensing Agency, The Financial Times and Guardian News and Media.

Since publication, Vanessa Barnett has joined Charles Russell LLP.

This digital media practice represents a range of computer game developers and companies that deliver online gaming, video and audio content, such as Yahoo! and Vodafone. Impressed clients agree that it is a "progressive and proactive team of lawyers who are brilliant communicators."

KEY INDIVIDUALS Howard Rubin "is an exceptional practitioner. His knowledge of the sector is invaluable, and his grasp of the commercial considerations alongside the legal requirements is hugely beneficial."

This team is lauded for its work in both traditional and e-publishing, regularly acting for a variety of global publishing organisations, charities, not-for-profits, journals and literary festivals. Clients value its personal approach and market expertise.  

KEY INDIVIDUALS Joss Saunders is noted as "an excellent copyright lawyer." Recent highlights have included advising Informa on an internationally controversial publication that appeared in one of its journals.

This team draws on the wider firm's strength in IT to advise newspapers, educational and commercial publishers on the global online delivery and commercial exploitation of published content. Over the last year, it has worked on a joint venture between Pearson Educational and Librairie Du Liban to distribute printed and digital educational material across the Middle East.

KEY INDIVIDUALS Clients appreciate Mark Blunden's "efficient, hands-on and amicable approach." His notable clients include Moreover Technologies, Trader Media and the Guardian Media Group.

This group is held in very high esteem, receiving frequent and effusive praise from market sources. It is particularly well known for its non-contentious music practice, and for its work on high-profile live events.

KEY INDIVIDUALS The "incredibly talented and well-respected" Richard Bray counts an impressive number of household names amongst his enviable client base. Mark Krais is equally well regarded for his high-profile non-contentious work and experience of advising on international live events.

This department is praised by clients for its direct and methodical approach. It regularly acts for leading digital media corporations such as Sony Entertainment Europe and Google, and its advertising practice spans both client and agency work. McDonald's, Diageo and BBH are amongst its major-name clients. "It provides a wonderfully personal service," sources say, adding that "we deal with the same individual every time, and the team really understands what we are about."

KEY INDIVIDUALS Clients praise Myles Jelf for the high quality of his work output. He has recently been retained by Sony on a number of complex cross-border issues. Paul Jordan is "a fantastic lawyer whose judgement and advice can always be trusted absolutely." He heads up the advertising group, advising clients on everything from talent contracts to viral and social media campaigns.

This music and theatre boutique represents an impressive stable of performers, writers and producers. It handles a healthy mixture of contentious and non-contentious matters, and clients appreciate the breadth of expertise on offer: "It has an array of lawyers who can effectively deal with most aspects of the entertainment business."

Commercial Awareness "It is extremely business-savvy and very well-connected within the industry; these lawyers know everyone and everyone knows them."

KEY INDIVIDUALS Peers are quick to praise Andrew Sharland's contentious expertise: "He is one of the cleverest litigators around and an amazingly astute lawyer." Noteworthy clients over the last year have included Sony Music, EMI Music Publishing, The Who, Muse and Daft Punk. Clients agree that Andrew Myers "brings real value to a deal; he has a razor-sharp mind and is great at thinking outside the box." He chairs the firm's non-contentious practice, and has recently advised major artists such as The Cure, Jamiroquai and Chrissie Hynde. Peter Button co-heads the contentious music team and is "a constant source of support, with the perfect combination of incredible experience and the ability to communicate complex issues in laymen's terms." His clients include Paul Weller, Duran Duran and Boy George. Tom Frederikse is recognised for his strength in digital delivery content, acting for Virgin Media, Beatport, mFlow, Vidzone and MoFilm, whilst Nicky Stein's transatlantic practice sees him representing Vampire Weekend, La Roux, Laura Marling and Hot Chip. John Cohen is highlighted as "a true doyen of the market," having advised a number of key industry figures on West End productions of  'Love Story', 'Betty Blue Eyes', 'Evita', 'Oliver', and 'Jesus Christ Superstar'. James Jones gives "brilliantly commercial advice" and is praised by clients for his responsiveness. 

This group is particularly highlighted for its work on behalf of large international clients; it regularly handles multi-jurisdictional matters and is "deeply involved in the world of marketing."

KEY INDIVIDUALS Team head Susan Barty impresses clients with "the excellent quality of her advice, and the level of her insight into our legal issues." 

This niche entertainment practice specialises in the music industry, taking on contractual and production work as well as novel artist investment and funding arrangements. It counts acts such as Beverley Knight, Tinie Tempah and McFly as clients.

KEY INDIVIDUALS Clients laud James Collins for both his contractual nous and his ability as a litigator. 

This team offers an impressive breadth of media expertise, although it is particularly recognised for its film and music work. Clients appreciate it as "reasonable and knowledgeable, with a valuable cross-border reach." Big-ticket clients include Warner Music International Services.

KEY INDIVIDUALS Michelle Brown recently acted for the CSC Media Group, as well as providing advice to art galleries such as the White Cube. Nigel Davies has been kept busy representing Compact Media Group and online theatre company Digital Theatre. Clients value Richard Moxon's ability and industry profile, acknowledging that "he certainly makes our lives much easier." Fraser Bloom and Sam Tatton-Brown's broad experience in film and television funding and production is praised by their peers, who agree that they are "lawyers of definite quality." Senior statesman Leon Morgan maintains his position of prominence; clients universally value his extensive experience and ability to bring complex matters to a speedy and positive conclusion. 

Market sources laud this team for both the breadth of its media practice and the depth of the wider firm's resources and international reach. It is particularly noted for its expertise in film financing, television production, digital media, publishing and advertising-related matters. Interviewees are in agreement that "this is a first-class department," and one client goes on to emphasise that "I would use them again at the drop of a hat."

KEY INDIVIDUALS Michael Ridley is a "very down-to-earth practitioner," who "astounds with his technical brilliance." He specialises in television production and financing, and recent clients include Fremantlemedia, Abbott Vision and Sir David Attenborough. Christopher Hanson is recognised for his work in film finance. Of late he has handled a structured finance deal with an aggregate value of more than USD500 million on behalf of a major studio. One impressed client stresses that Nicholas West "has played an absolutely central role in everything that we have achieved." He focuses on broadcasting; big-ticket work includes advising the Premier League on all of its broadcasting-related matters. He has also acted for Discovery Communications Europe. Duncan Calow "has grown up with the digital revolution; the depth of his digital media knowledge is extremely helpful to clients." He regularly works for clients such as Macmillan, Random House, Virgin Books, Zenimax/Bethesda, and Warner Bros. Interactive. Interviewees praise Sian Croxon's "wonderfully responsive approach" and "ability to manage the many different work streams that make up any given project." She is equally well regarded for her advice on both contentious and non-contentious advertising issues. Clients and peers agree that Alan Williams' years of experience and vast expertise make him a doyen of publishing. He continues to advises a number of the firm's top clients.

Eversheds' media practice maintains a strong presence in both contentious and non-contentious music law, with clients ranging from a legendary rock four-piece to HSBC private bank. It has also advised Coutts Media Banking on the securitisation of a major music publishing catalogue. In addition, it holds a significant presence in marketing and sponsorship; recent highlights include acting for Coca-Cola on its 2012 Olympics sponsorship, and advising the Elton John Group.

Client Service "You always feel you are being looked after; it gives you all the options you need at every stage of the process."

KEY INDIVIDUALS Nicholas Valner is "an excellent lawyer who is incredibly experienced and well versed in the music industry. His advice is always clear, concise and direct." He assisted Apple Corps in its agreement with EMI Records and Apple Inc for the release of The Beatles' catalogue on iTunes, and also handled litigation against The Sunday Times on behalf of Experience Hendrix. 

This media practice neatly encompasses the full array of work, ranging from complex international film financing to conventional and digital publishing matters. It has been working with the British Library in its partnership with brightsolid online technology to digitise up to 40 million pages of its newspaper archive. Other notable clients include Emap, Haymarket Magazines and Associated Newspapers.

Client Service "It feels like a family firm that always puts the client's interests first, so your mind is never on the clock whilst you are there."

KEY INDIVIDUALS Interviewees laud Henry Sainty for "understanding the reality of a situation; he is very commercial and pragmatic, and he gives you what you need to get the deal done." He has recently advised Bauer media, the publisher of Grazia, Heat, Closer and FHM, on the traditional and online aspects of its business, and acted for Emap on the provision of online learning resources through one of its medical publications. Peter Wienand is recognised as "a truly excellent lawyer that any client would want on their side," having recently led the team working on the British Library newspaper digitisation described above.

Since publication, Nigel Palmer has retired from this practice.

This team is noted for its strength in film financing, distribution and production, and for its enviable roster of high-profile corporate media clients. It also regularly advises on regulatory, sponsorship and promotional aspects of advertising and marketing law. One impressed client states: "We could not have used anyone else; this team was absolutely vital to our transaction." Sources also appreciate its ability to "provide a level of personal client care you would be more likely to associate with a boutique, whilst offering the wider resources of a large international firm."

KEY INDIVIDUALS Market sources identify Tim Johnson as "a smart and straightforward lawyer who gets the big picture; he always maintains an incredible focus on getting the deal closed." Of late, he has handled numerous film financings on behalf of Aegis Film Fund and Hammer Productions in addition to representing numerous major film funds and studios in film production and distribution deals. Recent arrival Barry Smith handles a comprehensive range of transactions, particularly those involving film and television finance, production and distribution. David Bond has acted for eHarmony, Castrol, LighterLife and Ebookers in a range of contentious and non-contentious matters covering advertising, sponsorship and promotions. Sonal Patel focuses on advertising and marketing law, including copy clearance, ASA complaints and appeals and brand promotion.

This team is commended for its publishing practice, with recent highlights including assisting in the negotiations of Julian Assange's autobiography. Nicola Solomon has recently moved to the Society of Authors, which the team continues to provide with IP expertise.

KEY INDIVIDUALS Robert Lands advised the Royal Mail on a publication of its history to be released in conjunction with Penguin books.

This media boutique's contentious music department receives frequent plaudits, with peers agreeing that it "has built a very impressive straight litigation practice with a number of high-profile clients." It acts for numerous music bodies and artists in a variety of digital and traditional distribution matters.

KEY INDIVIDUALS Clients are quick to praise Andrew Forbes as "a practitioner who is absolutely on the money with his advice and always goes out of his way to think outside the box." In addition, he "excels at spotting the weaknesses in an opponent's case and then absolutely nailing them for it." His big-name clients have included the Sugababes, the Ting Tings and Busted. Dominic Free is equally renowned and highly regarded; interviewees universally agree that he is "an undeniably impressive lawyer." Peers recognise Martyn Bailey as "superb; he is the epitome of calm measured advice, and has a very acute eye for the pertinent details," whilst up-and-comer George Festing is noted as "an excellent asset to the firm."

Clients describe this boutique as "nimble and fast; it is an extremely competent group of lawyers that offers great value." It works across the spectrum of media markets, although it is particularly highly regarded for its expertise in broadcasting regulatory and carriage agreement matters. Clients include Sky, Channel 5, ITV, RDF and Digital 3&4.

KEY INDIVIDUALS Paul Herbert is lauded as "an approachable and hugely experienced lawyer who knows his way around media contracts." Of late, he has handled an HD carriage agreement on behalf of S4C. Interviewees appreciate Patrick Swaffer for "commanding the full confidence of the client; he is sensible, he fights hard, he wants to win and he gives wise advice." He acts as the main legal adviser for the BBFC.

This group specialises in contentious music work, as well as the exploitation of music properties and related litigation. The firm's advertising practice advises major clients on sponsorship, promotional work and agency deals.

KEY INDIVIDUALS Laurence Gilmore is particularly noted for his work on behalf of the PRS and PPL in both contentious and non-contentious matters, including the renegotiation of tariffs for music festivals, the licence for Corus Group and litigation against a major hospitality company. Clients agree that "without doubt he is absolutely outstanding in his professionalism, his advice, and his service." Philip Herbert is identified as "an extremely efficient and hard-working practitioner who is a pleasure to work with." His recent work includes a number of anti-piracy and counterfeiting matters, as well as advising a US company on litigation in the UK and Italy relating to the commercial exploitation of The Beatles, Bob Marley, Jimi Hendrix and The Doors. Of late, Ian Down has assisted New Look, McDonald's, The Marketing Store and Mind Candy in a variety of consumer competition, marketing and promotional issues. 

Hansel Henson was established by two former partners of Memery Crystal and it is enjoying a growing reputation in the digital media sphere. The team provides advice on creating and distributing content via the web, mobile platforms, television and radio. It is also equipped to provide assistance on overlapping intellectual property concerns. Sources indicate that practitioners have been investing heavily in building relationships with clients. "They have been incredibly helpful and want to help us grow over the long run," one interviewee says. Commentators are also impressed with the responsiveness of the team, noting that it is "incredibly on the ball" in reacting to their demands. Recent highlights include representing video game developer Future Games of London on copyright infringement and product distribution.

KEY INDIVIDUALS According to feedback, David Hansel "never fails to consider the commercial context" and impresses with his "incisive analysis" and "no-nonsense approach." His areas of expertise are in the fields of digital marketing and cross platform-convergent technologies

This team is highly regarded throughout the media law market, receiving praise for the high calibre of its work in film, digital media, advertising, theatre, music and publishing. Over the last year it has represented DreamWorks in all aspects of Steven Spielberg’s film production of 'War Horse', and advised Queen Films on its arrangements with GK Films concerning the financing, production and distributions aspects of the as-yet untitled Freddie Mercury and Queen biopic. In terms of music work, major clients include Universal, Jamie Cullum and the BBC. The firm's publishing practice also continues to thrive, and over the last year it has seen an increase in matters relating to e-books, audio books and other digital rights issues.

Commercial Awareness "I went with Harbottle because I wanted to be sure that I had good people behind me who had all of the specialisms that I needed."

KEY INDIVIDUALS Interviewees praise Medwyn Jones for his "depth of knowledge that makes every aspect of a deal flow smoothly," and for his ability to establish a rapport with clients. He recently acted for Nutopia in relation to the international financing and production of History Channel miniseries 'America: The Story of Us', as well as advising Bloomsbury on its digital exploitation strategy and distribution of content, and handling the publishing of Gok Wan's autobiography. Abigail Payne is highlighted as "incredibly reliable and thorough; nothing gets past her." She has recently advised Prescience Film Finance on the financing arrangements for 'Burke & Hare', 'St Trinian’s II' and 'Mr Nice', whilst Tony Ballard specialises in television broadcast and carriage work as well as digital media. Jonathan Berger was heavily involved in the financing, production and distribution of the Freddie Mercury biopic starring Sacha Baron Cohen mentioned above, and has worked for Exclusive Media Group on the financing and distribution of 'Let Me In', 'The Way Back', 'The Woman in Black' and 'The Resident'. Robert Storer is universally acknowledged as a doyen of film and TV financing and production, and continues to be actively involved with the firm's top clients. Paul Jones is well regarded for the non-contentious work he undertakes on behalf of Universal Music Group and multiple notable performers. He also offers significant expertise in the legal issues associated with the digital distribution of music. Market sources identify Mark Phillips for his long-standing experience in the games market; over the last year he has represented Zattikka in relation to outsider investment. Both Phillips and Paul Cairns continue to handle Namco Bandai's international commercial issues and receive instructions from Rockstar Games, most recently giving advice related to 'Red Dead Redemption'. Cairns has also been handling Electronic Arts' licence renewals for its EA sports titles, including 'FIFA', 'Need For Speed' and 'PGA Golf', as well as advising on the company's role as official sports technology partner of the Barclay's Premier League. Peers highlight Paul Groves as an associate to watch following reports of his excellent work assisting Paul Cairns in numerous high-profile matters. Clients applaud Neil Adleman as "pure theatre through and through; we trust him implicitly." His highlights include acting on the move of 'Shrek The Musical' from Broadway to the West End, advising on the production of a musical based on the film 'Ghost', and working on the transfer of the highly successful 'Ghost Stories' from the Lyric Hammersmith to the West End. One impressed client is quick to describe Caroline Turner as "setting the gold standard for publishing lawyers." Her expertise is complemented by her considerable knowledge of IT and new media, and she has been acting for FTSE 100 publisher Informa. Andy Millmore is a highly regarded advertising lawyer who combines a background in IP litigation with a strong agency practice. He has recently advised Mortimer Whittaker O’Sullivan, Lowe & Partners/Interpublic and McCann-Erickson Advertising on a wide variety of issues.

This full-service firm's dedicated media team handles corporate and M&A, licensing and regulatory work for clients such as BSkyB, Warner Bros., STV and FilmFlex. Clients agree that "it has the industry knowledge, it gives you clear and pragmatic advice and it knows how to work with an in-house team."

Commercial Awareness "It gets our business, and it gets our industry."

KEY INDIVIDUALS The team is headed up by TMT expert Nick Elverston.

Clients praise this team for offering "practical solutions that achieve our aims," and enthuse over its international reach and full-service offering. The firm's media practice extends from handling corporate and carriage work on behalf of broadcasters to advising a variety of international clients on marketing and advertising law. It also has a long-standing presence in digital media. Recent highlights include acting on Nintendo's 3DS launch and handling litigation for ITV. 

Commercial Awareness "It gives us sound legal advice that is not overly risk-averse, and allows us to balance our business goals effectively."

KEY INDIVIDUALS Richard Welfare "is a great lawyer to work with; he's commercial, he gets deals done and he can handle even the most demanding personalities." He has recently advised Mars on advertising and marketing-related matters associated with its sponsorship of the England football team, assisted Ocean Spray in its promotional activities, and aided Nintendo in celebrity endorsements.  

This team specialises in all things digital, acting for digital advertising and marketing companies in relation to their work for household-name brands. Clients highlight it as "very responsive, always willing to help out and pragmatic in everything it does."

KEY INDIVIDUALS Paul O'Hare has recently received instructions from award-winning online marketing agencies AKQA and EHS Brann. Sources agree that "he's wonderfully reliable and responsive, with an excellent work ethic."

The team at Laurence Kaye is "great – it's pragmatic when it needs to be, and its responsiveness is excellent." It handles a combination of traditional and digital publishing work, acting for the Christopher Little Literary Agency and J.K. Rowling, as well as e-book publishing house Advanced Editions and international business intelligence company Euromonitor International.

Client Service "From a client's perspective, it is very proactive, and gives highly useful talks." 

KEY INDIVIDUALS Interviewees admire Laurence Kaye as "an invaluable authority for publishers who have moved their content to the internet." In addition to leading on the majority of the group's work, he acts as copyright adviser to the European Publishers Council and was the lead author of their 'Vision Document' for the future of copyright. He is also a member of the copyright expert panel for SABIP, advising the organisation on its contribution to the UK's IP framework.

This "knowledgeable and responsive" department is very highly regarded for its expertise in film and television production and talent matters, with recent highlights including working with Vertigo Films on 'Streetdance 3D'. Other significant clients include Lip Sync Productions, Kudos Films and Television and Revolution Films. The firm is also recognised for its strength in both the commercial and litigious sides of the music industry; it represented 'The X Factor' 2010 finalists in contractual negotiations with Syco Entertainment, and has also handled work on behalf of names such as Ministry of Sound, Depeche Mode and Chrysalis.

Client Service "It has a real family feel to it; the client is very well looked after."  

Commercial Awareness "Many of the team's lawyers have valuable industry experience, and it always focuses on getting the best possible result."

KEY INDIVIDUALS Sources praise group head Reno Antoniades for his "very enabling approach to getting a deal done. He doesn't fixate on irrelevant detail – he is about the bigger picture." He acts for many of the UK's leading independent producers. Natalie Usher is "an excellent practitioner who is more than capable of handling the heavy lifting." She has recently been advising on complex cross-border film financings for a high-profile UK production company. Jeremy Gawade chairs the talent group. He counts Bill Bailey and Stephen Fry amongst his clients, and has represented Red Production Company in its sale of the US feature film remake rights for TV drama 'Unforgiven'. Television department head Richard Lever specialises in work for independent producers, and "has exceptionally wide-ranging industry knowledge, which allows him to offer advice that is always very creative and well-grounded." Christos Michaels is an equally well-respected film lawyer, who recently represented Ralph Fiennes in his production of 'Coriolanus'. Andrew Thompson, the firm's managing partner, has a long-standing and well-deserved reputation within the industry for his stellar representation of established talent. Of late, he has acted as arbitrator in a dispute over digital royalty payment. Clients appreciate that Lawrence Engel "has a depth of experience that means he has seen it all before and knows what to do within five minutes." He advised Queen on their move from EMI Records to the Universal Group. Contentious music specialist Mike Brookes represents a combination of talent and corporate clients, and recently handled a high-value claim against V2 Music Publishing on behalf of three entrepreneurs. Gordon Williams recently acted in a management dispute against 'Britain’s Got Talent' winners Diversity. Robert Lee "is a charming and calm lawyer who presents himself extremely well to clients and gives very thoughtful advice." He continues to put his vast experience to use advising many of the firm's top clients.

This team's "reputation in advertising and marketing precedes it," and sources are effusive in their praise of the group's prowess, with one stating: "We have a lot of experience of firms that are active in this sector and we cannot identify a more efficient, skilful and versatile team." Its enviable client list includes major names such as Mother, Bartle Bogle Hegarty, Nissan and Wieden & Kennedy.

KEY INDIVIDUALS Interviewees universally agree that Brinsley Dresden "is a wonderful lawyer who is truly excellent at quickly getting to the vital crux of an issue." He recently successfully defended E.ON against a complaint to the ASA. Clients note that Giles Crown "offers great service and is easy to work with." He has represented ICI in a comparative advertising dispute with PPG. Jo Farmer leads the team's work in a variety of marketing issues on behalf of Bacardi Global Brands. She is highlighted as "so responsive that she is more like a senior in-house counsel than a private practice lawyer." Recent addition Guilherme Brafman brings a wealth of market experience, and is regarded as "a great asset to the team" by market sources. Dominic Farnsworth has recently acted for a well-known agency in a dispute arising from a major international advertising campaign, while Cliff Fluet is well known for his niche expertise in the use of music in advertising. Jonathan Coad recently joined the team from Swan Turton. He specialises in television format work, and "will really go the extra mile for a client – he is absolutely prepared to go to the wall for them."

Macfarlanes receives plaudits for the quality of its advertising work and in-depth market knowledge. It acts for a variety of major brands, agencies and high net worth individuals, with clients including Nike, Diversified Agency Services, Ogilvy & Mather and Pret A Manger. Recent highlights include advising Great Ormond Street Hospital on numerous marketing matters, including campaigns involving the Royal Mail, Carpetright and ASK Restaurants.

Commercial Awareness "A great team that actually understands the industry and the way it works." 

KEY INDIVIDUALS Rupert Casey has been assisting Radar Sponsorship in the structuring of its overseas network, and continues to advise The Marketing Store Worldwide on all of its global marketing matters. Clients agree that "he is upfront, he keeps costs down and he always comes up with a number of different solutions." Jeremy Courtenay-Stamp is vastly experienced and widely well regarded. He acted for Lotus in all aspects of the creation of a new drinks brand. 

This team of publishing lawyers acts in contentious, non-contentious and transactional work for a multitude of large international publishers, universities, university presses and international media organisations. It also continues to handle all of the Tolkien estate's legal work.

KEY INDIVIDUALS Chris Shelley is a key point of contact.

This firm is renowned for the quality of its media work, with expertise that spans film, music, publishing and advertising. Following Patrick Gardiner's arrival, the music practice has broadened out to include contentious as well as transactional work. Market sources agree that "this is a group at the top of its game, with a comprehensive offering of both younger and more experienced lawyers that all provide excellent advice." Clients include Talkback Thames, Wembley National Stadium, Iron Maiden and Southbank Centre.

Client Service "It makes a point of keeping clients up to speed, and it introduces its customers to each other."

Commercial Awareness "It knows our business and it is practical, commercial and direct."

KEY INDIVIDUALS Clients appreciate Jonathan Blair for his "wealth of knowledge across both film and television" and his "practical and upbeat manner." He recently advised Ruby Films on the production of 'Toast', a film based on Nigel Slater's memoirs of the same name. Nigel Bennett is recognised for his deft handling of complex film finance and production matters. Senior statesman Paddy Grafton Green is unilaterally highlighted as "absolutely phenomenal" and "pre-eminent in the industry." He has recently advised on a partnership agreement with the Universal Music Group relating to the London 2012 opening and closing ceremonies. Euan Lawson "is a really great all-rounder; he's an extremely smart guy with a direct approach that inspires absolute confidence." He was heavily involved in the sale of Carlin Recorded Music Library to Warner Chappell Music, and also advised Iron Maiden on a joint venture with the organisers of the Sonisphere Rock Festivals. Interviewees agree that James Harman is "highly capable, with a wonderfully approachable and client-friendly manner." His highlights include assisting the legendary Morrison Leahy Music in the disposal of shares. Robert Allan is lauded as "a practically-minded lawyer who knows his way round the business." He is currently involved in a significant transatlantic acquisition. Patrick Gardiner, formerly of Eversheds, brings both contentious music expertise and a wealth of industry experience to the practice. He garners praise for "rolling up his sleeves and getting really stuck in." David Franks is "a lovely guy who is technically at the top of his game." Over the last year, his work has included the negotiation of the creative team contracts for 'Love Never Dies', and assisting the Southbank Centre in contractual arrangements for the new multimedia work 'Icarus at the Edge of Time'. Nicola McCormick offers considerable expertise in advertising and marketing, and "is simply superb at what she does."

Olswang "delivers everything you could want from a media firm," with interviewees full of plaudits for its work across the breadth of film, television, music, publishing and digital media. Its work over the last year has included advising US investors on a multi-jurisdictional deal relating to the forthcoming production 'Hysteria', and acting for RDF Media on its sale to Zodiak Entertainment. The team continues to act for long-standing client BBC Worldwide, handling a number of significant deals including the £97 million sale of its remaining stake in global channel networks Animal Planet and Living to Discovery. Other major clients include M&C Saatchi, Universal Music, MTV Networks Europe and Random House.

Commercial Awareness "It has extensive knowledge of the media industry, is well aware of the financial pressures that the client faces, and delivers practical solutions."

KEY INDIVIDUALS Lisbeth Savill is universally praised for the depth of her expertise, with interviewees agreeing that "there is no one better at film financing." She is credited as co-executive producer of 'The King's Speech', having arranged and structured the financing of the film. Jacqueline Hurt is "extremely bright and solution-focused," and recently acted for Leo Joseph, Mark Kress and Informant Media in relation to the complex cross-border financing of 'Hysteria'. Broadcasting group leader Selina Potter impresses with her extensive know-how and responsive approach. Her clients include a range of television channels, platforms and suppliers of broadcast technology. John Enser "really knows the ins and outs of the law and has very good industry knowledge." He specialises in large carriage deals for major broadcasters, and is also highly regarded for his non-contentious music work. Clients highlight David Zeffman as "responsive, knowledgeable and generally excellent." He offers expertise in the commercial and regulatory sides of sports, gambling and media. Mark Devereux brings many years of much-appreciated industry experience to his work in film and television. Joel Barry is described as being "excellent with clients, and a very reassuring presence around the table." He has recently been handling soft IP work for a number of well-known advertising agencies, including M&C Saatchi.

Osborne Clarke offers a "very well-respected and savvy" team of dedicated media lawyers who excel within the computer game and advertising sectors. Clients appreciate its integrated approach to digital business, focusing on the digital and tech aspects of the sectors in which it is involved. Recent big-ticket clients include Amazon and Facebook.

Commercial Awareness "It has a practical approach to the law and a real understanding of our sector."

KEY INDIVIDUALS Paul Gardner is recognised as a significant player in computer games law, recently acting for Nintendo and Activision. Stephen Groom heads up the firm's marketing team and is marked out as "extraordinarily able and very in tune with the client's needs," whilst Nick Johnson is "brilliantly commercial and approachable; he is undoubtedly one of the best in the industry in terms of advertising law." He focuses on sponsorship-related matters, and has recently acted for News International. Tim Birt is "phenomenal – a true fount of all knowledge." Clients are also quick to state their appreciation that he is "the kind of senior partner that is totally involved in projects." Birt's digital advertising practice is complemented by his significant corporate expertise. Anna Williams is recognised for the strength of her commercial and IP-related advice to agencies and large corporate clients.

One appreciative client describes this publishing team as "one of the few we have found that can actually keep up with us." Of late, it has advised Macmillan on the competition issues arising from the distribution and pricing of e-books under the agency model, and handled a broad array of matters for the Orion Publishing Group and The London School of Economics and Political Science.

KEY INDIVIDUALS Susan Biddle heads the publishing team. 

This media and entertainment practice encompasses international film finance work, television finance and broadcasting rights. It also offers expertise in digital media, concentrating on assisting existing clients in the online delivery of video, audio and interactive content, and advising on the implications of social media to commercial activity. It also offers well-respected expertise in contentious and non-contentious advertising law matters. 

Client Service "Its client care is first-class."

Commercial Awareness "It is very savvy in the digital media space."

KEY INDIVIDUALS Stephen Edwards is highlighted as "outstanding; he approaches work at a very strategic level and is pre-eminent in his field." Notable highlights include advising Channel 4 on the Digital Economy Bill and its subsequent obligations, and acting for RTE on the retransmission of its content by Virgin Media. He has also been assisting the BBC in the reorganisation of its arrangements for the commissioning of drama, and advising the BBC and the EBU on changes to European copyright law. Interviewees agree that Richard Philipps is "one of the leading film finance lawyers in the country; he is pragmatic, he turns things around quickly and he is great to work with." He recently worked with Natixis Coficiné and the UK Film Council on the financing of 'Upside Down' and 'The Woman in Black'. Michael Maxtone-Smith has also recently acted for Coutts, in the financing of 'Salmon Fishing in the Yemen', as well as advising Silver Reel on the film 'Flutter' and UKFTV on 'Hysteria'. Gregor Pryor is known for his expertise in the online delivery of video, audio and interactive content, having acted for a number of music, television and computer games giants; he also has a variety of social media and gaming clients. Interviewees describe him as "a strategic thinker and a go-to guy for digital licensing."

The publishing team here acts for a range of national newspapers, international publishing houses and news and media organisations. It handles a combination of commercial and contentious matters, including acting for Bloomsbury in the recently concluded AUS1 billion 'Harry Potter' copyright infringement case. The advertising group counts newspapers, brand holders and agencies amongst its clients.

Client Service "Whenever I ask it a specific question it always makes sure that it explains the context in addition to giving me an answer, and ensuring that I fully understand the advice it has given."

KEY INDIVIDUALS David Hooper is "exceptionally well versed in publishing law" and "mesmerising to watch in the courtroom." He led on the 'Harry Potter' litigation, and represents a large number of US-based media organisations. Senior associate Brid Jordan assisted Hooper in the 'Harry Potter' case, and regularly acts for Bloomsbury in other publishing-related matters. Clients highlight advertising team chair Oliver Bray as an impressive practitioner. He has a highly active practice that has lately involved advising Scholastic/Simon & Schuster on interactive books and e-learning platforms, handling promotions and competitions for Associated Newspapers and assisting HMV Group with all aspects of its marketing and advertising activities.

Russells is universally lauded for its music practice, which covers both commercial and litigious matters to an equally high standard. Clients particularly value the depth of its expertise in traditional media work, and praise its "wonderfully old-school style."

KEY INDIVIDUALS Chris Organ leads the firm's commercial work. Interviewees are impressed with his work on complex contractual negotiations, describing him as "outstandingly intelligent, effective and tenacious." Star practitioner Brian Howard maintains his enviable position as "one of the best and most experienced litigators in the business." Clients recommend Steven Tregear for the depth of his industry knowledge, adding that he is "a marvellously engaging lawyer who rolls up his sleeves and gets involved in the nuts and bolts of a case." Sources agree that John Reid's market presence continues to flourish and grow; he is particularly highlighted for his calm approach to music litigation. Mark Sinnott earns the respect of peers for his corporate work in the music industry.

The range of media services offered by Sheridans encompasses a long-standing and highly regarded music team, a film and television department that was recently strengthened by James Kay's arrival from Olswang, and an ever-expanding digital media practice. It also receives recognition for its theatre practice, which is able to draw on the firm's strength and expertise in the music sector. Interviewees assert that "it's incredibly useful for a media organisation to have a firm such as this that can deal with whatever it may need."

KEY INDIVIDUALS Howard Jones is "an excellent negotiator who is very quick to get to the crux of a matter." He handles non-contentious music and theatre-related issues; of late he has advised Pink Floyd on its new licence agreement with EMI and handled the agreements for 'Love Never Dies' and 'Wizard of Oz' on behalf of Andrew Lloyd Webber. Other clients include Littlestar Service, Jimmy Page and Sir Paul McCartney. Russell Roberts is "undeniably well versed in the music industry" and has recently been working with Twenty First Artists. Michael Thomas acted in the sale of the Phil Collins/Genesis Publishing Catalogue and advised Reckless Entertainment on the complex production and distribution of 'Coronation Street – The Album'. Market commentators note Alex Chapman for the strength of his computer games practice, which covers the spectrum of development studios, from indie games houses such as Playdead to the studios behind blockbusters such as 'Batman: Arkham Asylum' and 'Need for Speed'. James Kay "has a brilliant mind and the invaluable ability to stay focused and calm." He is widely respected for his knowledge of complex film financing structures, which he recently put to use advising Cloud Eight Films on its role in the production of ‘127 Hours’. Robin Hilton was instructed by Django Films in the production of 'The Illusionist', and heads up the firm's advertising and marketing group. Peter McInerney "has an authoritative knowledge of financing and co-productions; he knows what broadcasters want." His highlights include acting for Carnival in regards to 'Downton Abbey' and representing Virgin Media subsidiary Future in securing channels for its Virgin Media cable network. According to clients, associate-to-watch Claire Lewis "has a real flair for the nuts and bolts of what we do, and is a vital part of our transactions." As a member of the non-contentious music and theatre teams, she has been involved in assisting major clients such as Andrew Lloyd Webber, the producers of 'Mamma Mia!' and the production team behind the up-and-coming Spice Girls musical.

Following its widely reported merger, this firm's media practice continues as a noted presence for both its film production expertise and its work on behalf of a number of well-known advertising agencies. It is also heavily involved in the production of branded film and television content for agencies and brand holders.

Client Service "It is very good at keeping us informed of relevant legal developments, as well as running valuable seminars and networking events."

KEY INDIVIDUALS Robert Wegenek earns high praise from peers and clients, who note that he is "incredibly good at what he does." He is well known within advertising circles for his commercial work on behalf of major clients such as WPP. Senior associate Nessa McGill heads up the film and television department and "has done stellar work on a series of extremely complex matters." She led the team that worked on the production of 'Mariah Mundi and the Midas Box', and advised Mindshare on branded content television project 'Max the Lion'. Associate-to-watch Carlton Daniel continues on his upward trajectory, with interviewees agreeing that he "has excellent knowledge and is very good at keeping the client up to speed."

This firm's non-contentious music department continues to be recognised for its work on behalf of leading recording artists, including Radiohead and Placebo.

KEY INDIVIDUALS Interviewees praise John Statham's direct and commercial approach, and note that he "always has his clients' interests at heart." Kaz Gill is lauded as "a canny operator," representing bands such as Supergrass in addition to handling festival work.

This firm is well regarded for its work across the music, advertising and marketing and publishing sectors. Interviewees particularly appreciate its willingness to tailor its approach to best suit whichever client it is currently working for. Sources agree that it is "a good group to have on your side; a team of well-organised and responsive experts."

Client Service "It really takes your individual business needs into account."

KEY INDIVIDUALS Charles Swan is "a real guru when it comes to the use of music in advertising." He impresses clients with both his industry-spanning expertise and his "precise and commercial advice." He has recently acted for Bodum and JWT. Interviewees praise Julian Turton as "an approachable and massively well-informed and cultured lawyer," and also laud his innovative approach to drafting. On the music side, Turton continues to represent Madness and Underworld, whilst in publishing work he advises Sebastian Faulks on stage and television adaptations of his works. Stuart Barry has negotiated publishing deals for Carbon Silicon, whilst Julian Bentley acted for Mute Song in regards to the publishing agreements for Sir Bob Geldof’s catalogue and new songs.

Market sources agree that this firm's publishing team is of an undisputedly high quality. It continues to be highly active on behalf of big-ticket clients such as Associated Newspapers, Macmillan and the Telegraph Group. The advertising department is also highly recommended, as is the film and television team, which advises bodies such as Fox International Channels, Eurosport and National Geographic Channel. Interviewees characterise the media group as "thoughtful in its approach and mindful of the client's expectations."

Commercial Awareness "It knows its subject matter, it knows our business, and it is capable of advising us on a global basis."

KEY INDIVIDUALS Paul Mitchell is regarded as a leading figure in the publishing sector, bringing considerable copyright expertise to his non-contentious work. He is currently the chairman of the British Copyright Council. Niri Shanmuganathan is an experienced and well-known litigator whom clients praise for his responsive and easy manner. He regularly handles contentious cases for the firm's vast raft of high-profile newspaper and publishing house clients. Associate-to-watch Christopher Benson is "terrific; he knows exactly what we need from him and delivers it." He specialises in advising publishing clients on copyright issues. Tony Ghee focuses on acting for broadcasters, and is "hugely pragmatic and commercial." He recently represented Talpa Media in its bid for Channel 5, and has been advising satellite providers on the implications of regulatory decisions by Ofcom. Charles Lloyd is the firm's key advertising partner and "has an impressive gravitas and level of experience." Of late, he has been handling a variety of matters for Henkel as well as advising on a range of contentious and corporate issues for numerous leading agencies. Sarah Needham arrives from Macfarlanes and continues to win praise from impressed clients: "she is always available, and strikes a good balance between offering legal advice and common sense."

This team focuses on handling corporate, carriage and licensing agreements for broadcasters and global content providers. Interviewees appreciate that "the key partners all possess great intellect, which is something you don't always find at firms of this size."

KEY INDIVIDUALS Over the last year, Richard Brown has advised Bloomberg on the acquisition of New Energy Finance and represented Virgin Media in a joint venture with BBC Worldwide. One impressed client asserts that, "when something is very important and we need a good result, we pick up the phone and talk to Richard." Associate Benjamin Chivers is highlighted as "fantastically able, with a great commercial brain." 

This Liverpool-based team is well known for its computer games practice, handling corporate and contractual work for a number of developers, including Relentless Software and Side (UK).

KEY INDIVIDUALS Clients particularly appreciate John Schorah's "valuable insight into the computer games sector." He recently advised Media Molecule on the disposal of its entire share capital to Sony Computer Entertainment Europe.

Wiggin's broad media offering encompasses a very strong film and television practice as well as a significant presence in digital media and the full range of music matters. Its impressive client base includes major names such as ITV, Virgin Media, Warner Bros., Miramax Film, Pathé, Presience, Hammer & Tongs, Icon Productions, HBO, BBC Worldwide, BPI, PRS, EMI, Universal and New Order.

Commercial Awareness "It is very focused on the media, and it has very deep sector knowledge."

KEY INDIVIDUALS Star practitioner Sean James is a pre-eminent figure in television corporate and carriage work. Clients and peers are unanimous in their praise for him: "He is truly fantastic; he really knows his stuff and he's full of bright ideas about how to get around thorny issues." Recent notable highlights include advising ITV on the acquisition of HD DTT capacity, and assisting Virgin Media in its £160 million sale of Virgin Media Television to BSkyB. Richard McMorris is "marvellously diligent," and has been working with MUTV on the strategy for its Club Channel. He also regularly provides advice to The Perform Group, which is a leading digital distributor of sports content. Charles Moore is recognised for his "in-depth film distribution and financing knowledge," with clients adding that he is "a creative and pragmatic lawyer with an entrepreneurial attitude." Clients earmark Miles Ketley as exceptional for the strength of his film industry knowledge: "He is indisputably an expert in his field." David Quli is equally well regarded for his film practice. Interviewees describe him as "a brilliant and creative thinker with very detailed sector knowledge." Film and television associates-to-watch Deepti Burton and Guy Sheppard are both considered "excellent choices for this kind of work." Rounding out the associates, Daniel Whybrew is highlighted as "a rising star in film finance." Alexander Ross is highlighted as "one of the leading people to go to in terms of new areas of music and technology." He heads the teams acting for Sony Computer Entertainment, Napster, Soundmouse and Bounce Mobile. Simon Baggs is "a very sensible litigator who understands what courts look for, and is good at presenting that to clients." He is currently conducting the challenge to the judicial review of the Digital Economy Act on behalf of the music industry. Neil Gillard recently joined the firm from Reed Smith. Sources say he is "an outstanding film financing lawyer."

This team provides expert advice to international brand-holders such as Birds Eye, McVitie's and Oxfam. Appreciative clients agree that "it is a team of real problem-solvers that is very good at guiding us through the pitfalls." 

KEY INDIVIDUALS Daniel Smith "is a pragmatic and helpful lawyer who gets stuck into the details." He recently advised Transport for London on the Barclays Cycle Hire Scheme.